CALIFORNIA MILK PROCESSOR BOARD / TV/Film/Digital adverts

California Milk Processor Board: Sad Princess

Released: May 2009
Advertiser: CALIFORNIA MILK PROCESSOR BOARD CALIFORNIA MILK PROCESSOR BOARD
Advertising Agency: GRUPO GALLEGOS GRUPO GALLEGOS
Country: USA USA
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The advert titled Sad Princess was done by GRUPO GALLEGOS advertising agency for CALIFORNIA MILK PROCESSOR BOARD company in USA. It was released in the May 2009. Business sector is Public awareness messages.

Credits:

  • Client: California Milk Processor Board
    Agency: Grupo Gallegos
    Chief Creative Director: Favio Ucedo
    Group Creative Director: Juan Oubiña
    Associate Creative Director: Saul Escobar
    Associate Creative Director: Curro Chozas
    Copywriter: Edgar Hernandez
    Agency Producer: Carlos Barciela
    Account Director: Caro D’Antuono
    Director: Psyop
    Psyop Creative Directors: Marie Hyon, Marco Spier
    Design Director: Haejin Cho
    Executive Producer: Lucia Grillo
    Producer: Michael Neithardt
    Assistant Producer: Tarun Charaipotra
    Lead 3D Artist: Christian Bach
    3D Artists:
    Florian Witzel
    Jacob Slutsky
    Ted Kotsaftis
    Jimmy Gass
    Todd Akita
    Jae Ham
    David Barosin
    Alvin Bae
    Tony Jung
    Dan Fine
    Rie Ito
    Jeff Lopez
    Xuan Seifert
    Jonah Friedman
    Jason Vega
    Genessa Chamberlain

    3D Animators:
    Jason Goodman
    Michael Shin
    Alejandro Castro
    After Effects:
    Jason Conradt
    Ted Kotsaftis
    Fred Kim

    Designers:
    Gordon Waltho
    Anh Vu
    Pete Sickbert-Bennett
    Jungeun Jaye Kim

    Storyboard Artist: Ben Chan

    Software Developer: Andreas Gebhardt
    Music: Nylon Studios
    Sound Mix: AZ Los Angeles
    Sound Engineer: Gonzalo Ugartec



    Psyop Creative Director Marco Spier on CMPB Legends 2 Sad Princess & Medusa

    Milk and PMS, who knew. What were your initial reactions to the boards?

    Sad Princess and Medusa are your typical fairy tales. Fairy tales commonly attract young children since they easily understand the archetypal characters in the story. And in this case, we created these fairy tales for a mass audience.

    When telling a story in less than 30 seconds, it is good to have a story and metaphors that is easy to get. Our stories follow the same fairy tale formula: a princess finds a savior to love and has a happily ever after ending. Our little sad princess, she is saved. Thank god for the brave prince because he is able to break the monthly curse and tame unruly hair by bringing her the Holy Grail that is the "product" (ahh advertising).

    Anyway, this is a very stereotypical theme in which we are telling the story and the romantic, painterly style pushes the idea even further.

    We are staying true to the format of fairyt ales and even had the narrator to help guide the audience along. We had a great time coming up with the characters and the look for these Fairy tales. The stories told by the narrator surprises you at the end by presenting you with the fact that milk reduces the symptoms of PMS and can make your hair healthy, which gives the classic fairytale an unexpected contemporary twist...
    In Sad Princess, tell me about why you chose to illustrate her emotions as a destructive sea?

    We had a lot of fun coming up with the possibilities of her wrath. And thinking about how to transition from her tender little tear drop-into wreaking havoc on the town's men, before turning into a tumultuous ocean, in a legendary storm, all in 2.3 seconds.
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